Soon after their initial mini-tour and presentation at the conference “Mediating a New Cold War in the Digital Age” at Dartmouth College (2016), the duo embarked on a cross-US tour, followed by more international concerts, including JetLAG Festival, featuring the program “Schlepping the Steppes and the Shtetl.”

Central to their repertoire is the concept of a “strannik” (wanderer; literally “wandering stranger,” “strange-nik”), roughly translatable into Yiddish as “navenadnik” (vagabond), and the associated archetype of “doroga” (Russian for road, path). The Stranniki draw upon, feature, and fuse elements of poetry and songs from Yiddish and Russian literature, folklore, and popular culture of the 19th and 20th centuries, organically weaving in their own original material. Their first mutual album unveils a distinctive continuity of texts, melodies, paths, and destinies, inspiring and informing in the peculiar 2020s as much as it ever has—if not more so.